Over the last two years, I have rediscovered new techniques that | want to continue experimenting with. For example, I have replaced the layering of picture planes from my work with old advertising posters with photography, drawing and printed, translucent fabrics. I am interested in how these new materials can work in layers and what changes they bring about.
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I have always been interested in art. When I was about ten years old, I started collecting pictures and graphics on the family computer and later on my mobile phone and wanted to know how to achieve this certain aesthetic.
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My sensitivity is both a strength and a weakness; it enhances my ability to observe and connect deeply, but it can also cause emotional exhaustion and uncertainty in social situations.
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I hope people can slow down and take a look at themselves and their surroundings, instead of rushing forward relentlessly.
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Time seems to become more expansive the older I get. There is the linear structure of time that rules our daily life – and it seems to go way too fast!
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I try to make meditative artistic processes visible in a sensitive, sensual way with everything I have at my disposal.
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Freedom means to bring a work to life regardless of external opinions. However, you’re always dependent from your resources, although it’s worth noting that limitations can paradoxically fuel creativity.
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My experience is that it is not always easy to express yourself freely as an artist on a professional level because I find the art world to be very judgemental and highly critical.
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I always get the most excited when a project turns out just the way I envisioned it. Also it is a very rewarding feeling holding the finished piece in your hands after spending so many hours crafting it.
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When I paint, I feel like a fish in the water. To me, painting is a tool with which I can immediately sample fragments of my perception.
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The material concrete really appealed to me because I saw the many possibilities. In the later phase of my studies I analyzed why I like the medium so much.
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I decided to study art therapy in my early 20s and after completing my bachelor studies I wanted to continue making art without the constant focus on the psychological aspect, so I decided to study sculpture.
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I always love meeting other artists from different artistic fields and talk about their process, collaborate with them – so this is very inspiring.
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The bliss after putting up with the struggle only to transfer one’s ideas as precisely as possible into reality.
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I imagine my work in motion – there is so much excitement in pressing play and watching my drawings coming to life in an animated flow.
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The real goal is to create your own connection between different horizons others have worked on and find your own formal language.
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To be an artist is my most salient identity. It is something I am and how I must be, much more than something I chose or decided to be, and I also recognize it as an immense privilege to wake up and choose this path again and again each day.
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